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Palma Vecchio
Diana and Callisto
1525
Art History Museum, Vienna
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Palma Vecchio
Portrait of a Woman
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Palma Vecchio
The Three Sisters (detail) dh
about 1520
Oil on wood, 88 x 123 cm (full painting)
Gemäldegalerie, Dresden
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Palma Vecchio
Jacob and Rachel ag
1515-25
Oil on canvas, 146,5 x 250,5 cm
Gemäldegalerie, Dresden
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Palma Vecchio
Judith ag
Oil on canvas, 90 x 71 cm
Galleria degli Uffizi, Florence
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Palma Vecchio
Portrait of a Young Man af
Oil on panel, 38,7 x 29 cm
Museum of Fine Arts, Budapest
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Palma Vecchio
Portrait of a Young Woman ag
Oil on panel, 38,8 x 28,5 cm
Museum of Fine Arts, Budapest
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Palma Vecchio
The Adoration of the Shepherds with a Donor (mk05)
Canvas,55 x 82 1/2''(140 x 210 cm).Acquired by Louis XIV in 1685
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Palma Vecchio
Diana discovers Callisto's Misdemeanour (mk08)
c.1525
Oil on canvas on wood,
77.5x124cm
Vienna,Kunsthistorisches Museum
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Palma Vecchio
Judith with the Head of Holofernes
mk65
Panel
35 7/16x27 15/16in
Uffizi
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Palma Vecchio
Madonna and Child with Commissioners
mk65
Oil on canvas
transferred from panel
47x68"
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Palma Vecchio
Portrait of a Man
mk65
Oil on canvas
37x28"
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Palma Vecchio
The Raising of Lazarus
mk67
Panel
37x43 5/16in
Uffizi,Gallery
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Palma Vecchio
A Blonde Woman
nn07
Oil on wood, 77,5 x 64,1 cm
National Gallery, London
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Palma Vecchio
Sacred Conversation
c. 1525
Oil on canvas, 127 x 195 cm
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Palma Vecchio
Diana discovers Callisto's Misdemeanour
mk86
c.1525
Oil on canvas on wood
77.5x124cm
Vienna,Kunsthistorisches Museum
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Palma Vecchio
Young Faunus Playing the Syrinx
mk141
ca.1513/15
Oil on poplar
19.6x16.4cm
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Palma Vecchio
The Holy Family with Mary Magdalene and the Infant Saint John
mk156
c.1520
Oil on wood
87x117cm
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Palma Vecchio
Paola Priuli and Francesco Querini
mk157
1528
Oil on wood
82x73.5cm
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Palma Vecchio
Portrait of a young bride as flora
mk170
circa 1520
Oil on wood
80x64cm
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| Palma Vecchio
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1480-1528
Italian
Palma Vecchio Gallery
His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE
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